Paris 1965

Niemeyer, the foyer of the working class and his avant-garde, professional and artistic perspectives

Authors

DOI:

https://doi.org/10.35305/23626097v6i11.237

Keywords:

Oscar Niemeyer, Headquarters of the French Communist Party, avant-garde, modern architecture, Brazil

Abstract

The professional career of Oscar Niemeyer -the most renowned Brazilian architect at the international level who was the 1988 Pritzker Prize winnerconcurred virtually with the development of twentieth-century modern architecture. The article focuses on a particular stage of his career which coincided, on one hand, with the worldwide acknowledgment of Niemeyer as the architect of Brasilia -the new capital of Brazil recently passed to military authorities- and, on the other, with the commission to design the new Headquarters of the French Communist Party in Paris. My aim is to suggest that, on that occasion, he played professional, avant-garde, artistic, and also militant roles that seemed to overlap and shift from one to another.

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Author Biography

Cláudia Costa Cabral, Universidad Federal de Río Grande del Sur, Brasil

Arquitecta (Universidade Federal do Rio Grande do Sul). Doctora en Arquitectura (Universitat Politècnica de Catalunya). Profesora Titular de la Facultad de Arquitectura de la Universidade Federal do Rio Grande do Sul. Es investigadora del CNPq (Conselho Nacional de Desenvolvimento Científico e Tecnológico, Brasil) y Coordinadora del Grupo de Investigación Estudios de Arquitectura Moderna Latinoamericana (PROPARUFRGS/ CNPq). Es autora de artículos y capítulos de libros publicados en Brasil y en el extranjero (Argentina, Chile, España, Estados Unidos, Holanda). Fue Coordinadora de DOCOMOMO Brasil en el bienio 2012-2013.

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Published

2019-12-06

How to Cite

Costa Cabral, C. . (2019). Paris 1965: Niemeyer, the foyer of the working class and his avant-garde, professional and artistic perspectives. A&P Continuidad, 6(11), 108–121. https://doi.org/10.35305/23626097v6i11.237